  | | Put On Your Sunday Clothes | A Melody Track can help a vocalist learn their part. | Db | 01:21 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Put On Your Sunday Clothes | A Piano track is useful when a vocalist already knows the melody. | Db | 01:21 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Put On Your Sunday Clothes | A Melody Track can help a vocalist learn their part. | D | 00:26 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | 18 bar cut | |
| | Put On Your Sunday Clothes | A Piano track is useful when a vocalist already knows the melody. | D | 00:26 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | 18 bar cut | |
| | Put On Your Sunday Clothes | A Melody Track can help a vocalist learn their part. | F | 01:01 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 227-270 | |
| | Put On Your Sunday Clothes | A Piano track is useful when a vocalist already knows the melody. | F | 01:01 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 227-270 | |
| | Put On Your Sunday Clothes | A Melody Track can help a vocalist learn their part. | F | 01:01 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | alto part, Play m 227-270 | |
| | Put On Your Sunday Clothes | A Melody Track can help a vocalist learn their part. | D | 02:10 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 1-52, 21-52 | |
| | Put On Your Sunday Clothes | A Piano track is useful when a vocalist already knows the melody. | D | 02:10 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 1-52, 21-52 | |
